Showing posts with label Dead City. Show all posts
Showing posts with label Dead City. Show all posts

Tuesday, August 04, 2009

MYTH-appropriation V: Day 1


MYTH IS BACK! Our extreme new play development event returns for two rounds, performing on August 9 and August 16. You can get your tickets now by clicking here.

Our first meeting was last night and the playwrights spent last night writing drafts of their plays. The themes for this first round are myths based on themes of the season, so you will see stories based on The Arabian Nights, Ulysses, Zombies and as you will see with today's entry, TALES OF POSSESSION...

We'll be hearing from guest bloggers all this week and next week as the process proceeds. We'll also keep you up to date with the happenings of LIVING DEAD IN DENMARK and DEAD CITY, both of which are in full swing. It's a busy time for the Rorschach Blog... you don't want to miss a minute of it.

Today's entry comes from Akiva Fox, director of Colin Hovde's adaptation of the real life story behind the Exorcist (title still TBA!). Special thanks today for some awesomely creepy photos of the exorcist stairs by C. Stanley Photo.


The Power of Christ Compels you...

Hey, remember the end of The Exorcist? No? Allow me to ruin it for you: the priest dies. Actually, two priests die, but that's immaterial. The Young Priest, Father Karras, dares the devil who has possessed a girl to jump into him. Father Karras then nobly flings himself out of the window and down the world's steepest stairs (which are conveniently located beneath the window).

We - playwright Colin Hovde, actors Jacob Yeh, Dave Bobb, Josh Drew, and John Milosich, and me, director Akiva Fox - received the story of The Exorcist as our myth to appropriate. Because of our heartfelt concern for you, the blogged public, we knew that mere words would not be enough. No, we had to give you eye-catching imagery, the kind that sells tickets. That's right. We visited the stairs.

As you may know, writer William Peter Blatty set both his novel and the screenplay adapted from it in and around Georgetown University (his alma mater). So we left the climate-controlled confines of the university's Davis Performing Arts center to walk the three blocks to the stairs where poor Father Karras bit it. And we proceeded to take the following action shots, shocking and horrifying patrons of the Exxon station at the bottom of those stairs.

You'll be surprised to learn that this is hardly the only DC-area connection to The Exorcist. Blatty supposedly based it on the 1949 exorcism of a Cottage City, Maryland boy. Inanimate objects would jump in the boy's presence, and strange scratching noises would emanate from the walls of his room. So they called a few Catholic Priests, and they exorcised him silly. The boy lashed out with violence, cursing, and more Latin phrases than a 13-year-old Lutheran ought to know.

My two favorite facts about this legendary exorcism: one, the possession first arose after a particularly strenuous Ouija board experience with his aunt. Two, the case only came to public awareness some months later, when a minister described it to a meeting of the Society of Parapsychology at the Mount Pleasant Library. Any myth that involves board games, the DC public library system and demonic possession can't be bad.

Remember: the power of Christ compels you...to see this show!

Friday, July 31, 2009

DEAD CITY a view from the booth


If you haven't seen DEAD CITY yet, ya gotta go NOW! The City Paper calls it "gorgeously realized" and I believe everything I read.

So to entice you, we have a fun posting today...

For those of you outside of the "biz" there is a document that Stage Managers put together every night called a "Performance Report." It lets us know what's going on, who messed up what and what how our crazy audiences are responding to this fantastic little show. Here are some exerpts from those performances, a view from the booth if you will...

There was gum thwaping tonight.

Samantha’s hair looked fabulous tonight

There was no gum thwaping tonight but there was extra gum fingering.

Tonight, the smell was coming off of the East River instead of the Hudson.

L 71 and 74 were late. I did not hit the GO button hard enough.

For tonight's run, the actors are only allowed to wear socks on the stage floor.

[Redacted] seemed to forget this lines at the beginning of his scene

We are gonna need a lot of McDonald’s bags.

Are you by chance able to bring an extra pair of socks tonight?

They ran the dance at the top of rehearsal right before the run. They seemed to remember all of it.

Can we issue [Redacted] socks? For some reason, we skipped that.

[Redacted] accidently spit out his gum at the top of the gum sex.

Do we know when [Redacted] can start working with her pregnant belly?

If the door magic is not going to work, are we able to remove the two wires and the crank thing?

Quote (s) of the Night:
“Jane Austen can $%^& me in the $%^hole.”
“It’s not a laugh. It’s an mmmm… a sexy mmmm”
“Channeling, humping or meowing, what would you like me to do?“
“When they run into a wall, they will stop.”
“Not too much I Hope It’s Not Butter.”
“Can she just have an ammo belt of tampons?"
"And this is why we don’t’ have all girl rehearsals."
“I always wanted to grow a beard then put new skin over it then take it off to show up with a full beard in the middle of the show.”
“There is always time to stick your hand in your pants.”
DEAD CITY runs through August 16. For a full schedule and directions please visit www.rorschachtheatre.com. For tickets, go to www.boxofficetickets.com/rorschach or call 1-800-494-TIXS.

Wednesday, July 01, 2009

A Karl Miller Joint

You all remember Karl Miller, the man who now graces the Rorschach homepage and the pages of American Theatre Magazine with his Calvin Klein model good looks and striking pose, the Helen Hayes nominee and Rorschach Company member. Yeah, that Karl Miller!

Well these days in addition to his theatrical pursuits he is haunting the halls of the Davis Center shooting mind bending films about Rorschach. Take a look and be sure to watch out for the cameo by Tim Getman's belly.

Tuesday, June 16, 2009

Happy Bloomsday!

Wyckham Avery, star of Rorschach Theatre's production of DEAD CITY, is seen celebrating BLOOMSDAY.

This annual celebration of Irish writer James Joyce and the re-enactment of the events in his novel Ulysses. 16 June was the date of Joyce's first outing with his wife-to-be, Nora Barnacle, when they walked to the Dublin village of Ringsend.

DEAD CITY is a dark, hip and ultra-theatrical reimagining of James Joyce's Ulysses reverses the genders of the main characters and updates the landscape to a mind-bending Manhattan. Sheila Callaghan's distinctive style makes the mundane electric and turns conversation into poetry.

The run begins with three Pay-What-You-Can Previews on July 16, 17 and 18, all at 8:30 PM.